Production Stills

Seamus Davey-Fitzpatrick as Austen Kittredge III on the set of Northern Borders

LynxSLIDE

Lynx Kittredge

Lynx Kittredge, the famed stuffed cat, adorning Abiah's room, Egypt.

KittredgeWoodsSLIDE

On Set

Bruce Dern as Austen Kittedge, the meanest old bastard in Kingdom County heading up to Labrador.

AbiahTutCoopSLIDE

Grandmother and Grandson

Austen and Abiah at the chicken coop.

TheresaPoemSLIDE

Jacqueline Hennessy

Theresa Dubois, played by Jacqueline Hennessy, performing a scene in the schoolhouse.

Showing posts with label marlboro college. Show all posts
Showing posts with label marlboro college. Show all posts

Monday, June 11, 2012

Rigging the Period Truck

Take a look at some more of our behind the scenes stills and check out the rig Grip, Electric & Camera put together for the shoot of the driving scenes in our period car, Betsy.






Jeremiah filming Behind the Scenes a top the rig.
Seamus in charge of the Slate for the day.

Bruce with a smile.
Seamus & Bruce in the rig, ready to go.
Photos Courtesy of Lu Zhang & Willow O'Feral

Sunday, March 18, 2012

Art Department Visits Terry's Studio

The Art Department heads over to Terry Sylvester's studio with some intense looking packaging materials, possibly for the creation of a gigantic snake?  Stay tuned to find out!








 


Photos Courtesy of Willow O'Feral

Monday, March 12, 2012

Art Department at 110%

The Northern Borders Art Department has been going above and beyond in their preparations.  Take a sneak peek at what's being put together.

Students step in to help out in Costumes.
Jessica Shull, Costume Designer, at her battle station.
Props/Set Decoration
Props/Set Decoration
Props/Set Decoration

Photos Courtesy of Willow O'Feral

Wednesday, February 15, 2012

Team Puts Together a Staged Reading of Northern Borders Script at Brattleboro Museum

The Northern Border's Production Team headed over to the Brattleboro Museum this evening for a staged reading of the Northern Borders working script.  Lead by veteran theater and film actor Munson Hicks, Marlboro College Theater Professor Brenda Foley and Marlboro student Logan Smith the reading went smoothly.  Brattleboro High School student, Irene Shamas, also participated, playing both Cleopatra Kittredge and Hettie Hill, the role she'll be playing in the film.  Cast members also included Film Intensive and Marlboro College students.  Professor Jay Craven, who read the stage directions, explained that the purpose of the staged reading was not only to give the community a better sense of the project but also to examine how fluid the language of the script is when actually taken off the page and put into a characters mouth.  With only a rare stumble in the reading the script seems to be in good shape.  The Film Intensive team will meet today (February 16) to review script notes and further expand the dialogue.

Stay tuned.




Photography taken by James Brad Heck

All photographs courtesy of Jeremiah Davis.

Thursday, February 9, 2012

The Man with the Story: Howard Frank Mosher, author of Northern Borders, visits our class


Author and self-styled “co-conspirator,” Howard Frank Mosher visited the Marlboro Film Intensive’s Northern Literature class to discuss his novel and director Jay Craven’s screenplay adaptation.  Leading the discussion with high energy and more than a little self-deprecating wit, Mosher regaled our class with his thoughts on the screenplay and responded to student questions about his writing process (he writes 6+ hours each day using longhand on yellow legal pads), his previous collaborations with Jay Craven (four previous films), and the fascinating and unconventional worlds of his Northern Borders characters.  Mr. Mosher proved himself to be an expert storyteller, equal to our beloved Director/Professor, Jay Craven.  
With the production looming we hope to see more of Mr. Mosher!









Sunday, February 5, 2012

Dan Mirk, Meghan O’Neill and Sascha Stanton Craven head up Comedy Workshop for the Film Intensive.

During a near-miraculous 3-day turnaround, the unique comedic voices of Dan Mirk (senior writer, The Onion),  Sascha Stanton-Craven (media editor and contributing writer, The Onion; head writer, Queen City Radio Hour) and Meghan O'Neill (The Guthrie Theater, Magnet Theater, Story Pirates) managed to make our Film Intensive students just a little bit funnier.  Dan, Sascha and Meghan lead a group of 16 students through a number of writing workshops and rehearsals, all leading up to a Sunday afternoon performance that we called the Chain Gang Radio Comedy Hour.  Students wrote comedy sketches based on premises written peers at the start of the workshop and we later performed the sketches.  Among the bits: a hipster fashion show, Shakespearian debauchery, a Buddhist hit-man, and the best of Vermont advertising (just to name a few).

On Saturday night, February 4th, Marlboro College also hosted Fraidy Cat, a one-woman comedy performance by Meghan O’Neill (Upright Citizen’s Brigade).  ‘Megan’s one-woman show (temporarily usurped by the equally hilarious (well, maybe) Dan Mirk and Sascha Stanton - Craven) was a tour de force of funny.

Dan & Sascha gearing us up.

Pitching sketches.

Meghan O'Neil's 'Fraidy Cat Performance


Chang Gang's Radio Hour Performance:



Photos courtesy of Lu Zhang.

Thursday, February 2, 2012

Garret Keizer visits the Northern Literature course at Marlboro College


As part of the Marlboro Film Intensive curriculum, students read Garret Keizer’s 1996 book-length essay, No Place But Here: A Teacher’s Vocation in a Rural Community.  Keizer is a respected essayist and contributing editor to Harper’s magazine. He also appeared on the Colbert Report recently to discuss his work.  Essayists are usually pretty adept at stimulating passionate dialogue, so our class was fortunate to have him attend our class and lead discussion on his book and related topics including “noise,” the subject of his latest book. 
Our group struck up an intimate and energetic conversation about Mr. Keizer’s experiences in public education. Students offered stories about their own experiences in the schools. After the session Mr. Keizer agreed to share his thoughts on the class and he sent us the following note.
After the close of my visit with the Northern Borders film project class, I was asked if I might write a paragraph or so summarizing my responses to the experience.  Hoping I understood the request accurately, I am providing the following observations.
First, I was gratified to find the class so friendly and attentive.  This was by no means a case of “warming up” to the visitor, but rather a predisposition to see that the visitor was made to feel at home from the start.  As a result I found that I was able to direct all of my energies to the questions posed to me and little or no energy to matters of personal presentation and rhetorical strategy.
Second, I was delighted by the range of questions.  I have been in book discussions where a single issue or exchange winds up predominating, not always with the greatest relevance to the overall purpose of the gathering.  In this case, the open agenda seemed to enrich the discussion rather than permit it to go astray.  To the best of my recollection, most of the questions fell into one of the following categories:
  • Questions of clarification relating to “Getting Schooled” or No Place But Here
  • Questions relating to education (with several sub-categories such as classroom management, parental involvement, personal experiences with school, home-schooling, etc.)
  • Questions relating to the social and cultural context of the Northeast Kingdom and of rural communities in general
  • Questions relating to the “writing life”
  • Questions relating to characterization in Northern Borders
That’s an impressive range, I think, and I’ve probably failed to account for one or two questions that elude classification.  In retrospect, I feel I can stand by the answers I gave, though I wish that some of them had been more succinct.
Finally, I left the campus impressed by the sense that the issues raised by the reading and discussion, as well as by the filmmaking project, actually matter to the students.  That certainly contributed a great deal to making the experience matter to me.  And I had fun.
Garret Keizer